Newstral
Edward Benner
- UReporting from the front (checkout) lines: I felt disposableudreview.com
- UPlaylist of the Week: April 7, 2020udreview.com
- UMovie review: “Portrait of a Lady on Fire” is a (brush)stroke of geniusudreview.com
- UPlaylist of the Week: March 10, 2020udreview.com
- UWeek of March 03: Mosaic’s Weekly Playlistudreview.com
- UAlbum review: “The Slow Rush” was well worth Tame Impala’s slow releaseudreview.com
- U“A song that you wish you could give your 16-year-old self” | Mosaic’s Playlist of the Weekudreview.com
- U02/11 Mosaic’s Playlist of the Week | Heartbreak Editionudreview.com
- UA weekend away: two lads purge themselves of society and take a walk in the woodsudreview.com
- UBook review: Andre Aciman’s “Find Me” is a perplexing yet occasionally profound reflection on past loveudreview.com
- UThe voice of a generation: The Review’s staff reflects on their favorite Frank Ocean songsudreview.com
- UAlbum and film review: “Jesus is King” tries to make the profane into the sacred with mixed resultsudreview.com
- UCollaborative Content: A song that changed my lifeudreview.com
- UAlbum Review: “Two Hands” is Big Thief’s testament to the elemental force of the human spiritudreview.com
- UMovie Review: Disillusionment and absurdism make “The Joker” a haunting commentary and character studyudreview.com
- UCheckout line philosophy: what working a minimum-wage job has taught meudreview.com
- UWe see you: “An Inside Look at Immigration on a Local Level” offers fellowship and perspectiveudreview.com
- UAlbum review: “Jaimie” presents Brittany Howard at her most powerful, singing for us alludreview.com
- UAlbum review: “House of Sugar” is a rumination on life’s most important elements and is Alex G’s best work yetudreview.com
- UCory Booker urges Philadelphia to “rise” on August 7udreview.com
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