DeutschNewstral
Article
The New York Times on 2019-05-02 21:18
Critic’s Notebook: The Broadway Musical Has a Man Problem
Related news
- Critic’s Notebook: A Critic’s First Orchestra Defines Britain’s Musical SoulThe New York Times
Critic’s Notebook: The Night Before Broadway Went Darkvariety.com- Critic’s Notebook: Jerome Robbins, the ExperimentalistThe New York Times
- Critic’s Notebook: Why David Chang MattersThe New York Times
- Critic’s Notebook: Our Never-Ending ‘Scam Season’The New York Times
The Notebook to become a Broadway musicalSydney Morning Herald- ‘The Notebook’ to Become a Broadway Musicalvariety.com
- Critic’s Notebook: Fool Me Twice? Yes, PleaseThe New York Times
- TBroadway has an inclusivity problemthe-peak.ca
- Critic’s Notebook: The Trouble With Bernstein’s Broadway in the Concert HallThe New York Times
- Critic’s Notebook: Broadway on Race: Still More Likely to Comfort Than ConfrontThe New York Times
- Critic’s Notebook: ‘Aging Pride’ Challenges the Cult of YouthThe New York Times
- Critic’s Notebook: A Radical Moment in American Theater and BeyondThe New York Times
- Critic’s Notebook: A Critic’s Favorite Space for Music in New York Turns 40The New York Times
- Critic’s Notebook: In the Berkshires, a Powerful Play and a Classic Musical About PrejudiceThe New York Times
- Critic’s Notebook: Jean-Luc Godard Is, Quietly, a Probing Musical MindThe New York Times
- Critic’s Notebook: Queen, Ally and the Alchemy of Musical Stardom on the Big ScreenThe New York Times
- Critic’s Notebook: Review: ‘Emojiland’ and a Graceful Elegy at New York Musical FestivalThe New York Times
- Critic’s Notebook: At 100, Thelonious Monk Gets a Hero’s CelebrationThe New York Times
- CRITIC’s NOTEBOOK: J.M. Coetzee’s Boyhood, in Black and WhiteThe New York Times